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The initial musical pieces were formed of sound manipulation using tape recorders. Tovey began experimenting using an old Grundig tape recorder. He disconnected the erase head from the playback head and installed a simple switch between the two. This gave him control over what sounds could be erased or kept. He spent a lot of time building up sound collages using this method. After finishing full-time education Tovey began working at various day jobs and around the mid seventies managed to set Happy - Richard Olsen - From The Heart Of San Francisco his own home studio.
At the time he was living in London, in a small house. The only space where he could set up his studio Life On The Line IV - Fad Gadget - Under The Flag in a cupboard. The initial equipment he used consisted mainly of his Grundig tape recorder.
At this time he was using no musical instrument at all. The first keyboard instrument he owned was a Crumar Compac electric piano. He also bought a Korg Minipops drum machine from a home organ shop. He eventually decided to purchase a Korg synthesiser. He thought Life On The Line IV - Fad Gadget - Under The Flag due to his lack of musical ability he would be able to create some impressive sounds.
After the purchase of this equipment he began writing music seriously; it was at this time he sent a demo tape of "Back to Nature" to Daniel Millerwho had just released his first single as The Normal.
He was the first artist to sign to Mute. At the time RMS was an eight track studio. Tovey had no real experience of recording within a studio environment, so he left most of the decision making to Daniel Miller.
Most of the recorded instruments on "Back to Nature" belonged to Tovey, although he used equipment belonging to Miller as well; this included an ARP synthesiser. The recording included Tovey's wife, Barbara, singing a vocal part near the end of the recording; the vocal part is then mixed with a synthesiser part into the outro of the song.
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